The intersection of theater and politics has always been a powerful platform for advocating justice and societal change. Tiago Rodrigues, a visionary Portuguese director, recently staged “Hecuba, not Hecuba” at the Ancient Epidaurus theater, reimagining Euripides’ classic tragedy through a contemporary lens.
In Rodrigues’ adaptation, a theater group delving into the depths of Hecuba’s story grapples with the harsh reality of abuse inflicted upon an autistic child. This modern-day parallel sheds light on systemic failures within social structures, mirroring ancient betrayals of trust and power dynamics.
Through the narrative of Hecuba’s tragic loss and subsequent vengeance, Rodrigues draws poignant parallels to current issues surrounding the mistreatment of vulnerable populations. The play serves as a call to action, urging viewers to confront injustices and hold those in positions of authority accountable for upholding societal values.
This profound exploration of morality and responsibility resonates with audiences, emphasizing the timeless relevance of art in challenging societal norms and advocating for justice. “Hecuba, not Hecuba” stands as a poignant reminder of the enduring power of storytelling to provoke reflection and inspire change.
Katerina Papanicolaou is a lawyer and a former member of the Hellenic Independent Authority for Communication Security and Privacy (ADAE).
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